by Mikhaeyla Kopievsky
Recently, I wrote about my experience in drafting the sequel to my debut science fiction novel, Resistance (Divided Elements #1), and promised to share my upcoming experiences in editing said sequel. Last week was Step 1– Reviewing Book 1. Which brings us to Step 2 – Seeing your strengths and weaknesses through the eyes of your readers.
STEP TWO – SEEING YOUR WORK LIKE YOUR READERS DO
You’re probably champing at the bit to actually rip into your draft manuscript, but trust me – it still needs more resting time. Going back in to a work in progress too soon after typing ‘the end’ can be like trying to reflect on a relationship a week after the break-up: All you’re going to get are hot, messy tears or a rose-tinted view of the belle epoque (neither of which are helpful).
If you’re like me, you’ll be spending this time working on completely unrelated projects – the half-drafted Nano project from two years back that you’ve been holding out on, various short stories for upcoming competitions, beta reading for crit partners, etc. If you’re not doing these things, you should seriously consider them. At the very least, bury yourself in an amazing book that can act as you ‘palate cleanser’, benchmark and inspiration when it finally comes time to review your own novel.
So, while waiting for our WIPs to get to room temperature, it’s time to kick off Step 2 – Seing your work like your readers do.
A few weeks ago, I wrote about the challenges and advantages of writing Book 2. One of the advantages I neglected to mention was having the benefit of third party reviews – from crit partners, beta readers, ARC reviewers, and book reviewers.
Getting feedback about your writing style, your plotting, your characters, your world-building – it all adds up to a more refined blueprint for making your second book shine. When you write your first book, you send it off for publication not knowing how readers will respond or engage. With your second book, that uncertainty is not as all-encompassing.
For those of you playing along at home, this is what I did:
- Take out your notebook or open up a new word or excel document – anything you can divide a page into 2 columns. Title the first column “Positive” and the second column “Negative.”
- Go to the Amazon and Goodreads pages of Book 1.
- Take a deep breath (you’ll need it) and start by filtering for 1* and/or 2* reviews. If you’re lucky enough not to have these, start with your 3*.
- Ease the pain by looking for the good amongst the review – even ‘bad’ reviews usually have something positive to say. When you find something good, write it down in the “Positive column”. Where multiple readers raise the same thing, underline/highlight/bold the entry.
- If you have less than 100 reviews, repeat step 4 for all them. If you have more, consider doing a dip sample from each of the rating categories.
- Now go back and look for the negative points. Write them down – but maybe not verbatim. Bad reviews tend to be full of emotion. Strip that away and get to the core of what the review is telling you – e.g. “All humans have a ‘lifeline’ that plugs into things. All I could think of was [a] silly looking plug-in device. I actually giggled each time it was referenced or used even if it was a serious moment” (yes, that was written in the 1* review for Resistance. sigh.) becomes “lack of understanding about / poor characterisation of world-building technology “.
These lists of things – of what your readers loved/were fascinated by/engaged with and what they hated/were turned off by/didn’t understand – become your touchpoints as you edit. The entries become the red flags for things you need to either a) incorporate more strongly or b) consider removing/reframing.
Here’s a snapshot of my list to get you started:
|· Original world-building
· Dark tone that built tension
· Great character development
|· Too philosophical
· Didn’t like the main character
· Didn’t understand the technology or mechanics of population control
Interestingly, of the three negative points listed, I’ll only address one: the lack of understanding about the world-building mechanics. The other two – character likeability and philosophical bent – won’t change. And that’s the thing with reviews – sometimes they just come from readers who didn’t like your book and not because your book was poorly written.
Remember, you’re not trying to please everyone. You want to engage the readers who want to love your story. Remove the obstacles for that love, but don’t try to write the book they wish they could have written.
What about you? What critiques or reviews have been left about your first book that you will incorporating in your Book 2 edits? Let me know in the comments!
Read on for Step 3.
Photo by Annie Spratt on Unsplash
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